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Everything I do is rooted in learning, transparency, and wellbeing, because great design isn’t just about what we make, it’s about the people and stories behind it.
Through my studio, I offer visual, graphic and media communication services from brand development to digital campaign.
I work with brands, practices, and creatives to transform complex ideas into compelling narratives.
Brand related services include various levels of design, strategy and full toolkit as well as presentation design, illustrations, icon systems and additional stationary.
Visual ad-hoc services include marketing collateral, visual identity, social content and digital media templates. I can also develop print & publications such as brochures or zines.
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A range of media services such as newsletter design, event coordination, workshop facilitation, plus video campaigns, user generated content and responsive website design & development.
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Charles, Managing Director at GPAD
“Sana brought a great energy to our session. She knows her subject and communicates it in an engaging way.
The presentation was informative and gave practical tools that could be tested and utilised.
The whole studio was asking questions and enjoying learning about how they can develop their personal brand.”
For the Festival of the Future curated by Beyond the Box and hosted at the RIBA, we shone the spotlight on 5 inter-disciplinary creatives from under-represented backgrounds who showcased their architectural and design work alongside a self-curated ‘desk’ which gave viewers an insight into their creative process and interests. This project was in an effort to highlight emerging talents and invite industry professionals for a night of inspiring conversation and networking.
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The Festival of the Future was a two-day event organized by Beyond the Box CIC and the Royal Institute of British Architects (RIBA) on March 14-15, 2025, at RIBA's London headquarters to inspire the next generation of architects and built environment professionals. It featured workshops, talks, and hands-on activities for young people, designed to showcase diverse career paths and make the industry more accessible. More than 2,000 young visitors attended, and the event brought together over 20 practices and organizations.
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The exhibition, What makes a space Nigerian? interrogates the key components of the Nigerian cultures and histories that define the spaces we inhabit. For this project, I developed two presentation templates, building on the existing brand identity of WMASN, including a logo and colour palette. Whilst the client wanted future documents to feel bespoke, a streamlined approach to the brand stationary was needed to ensure a cohesive outlook.
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For this new brand, I developed a strong visual identity, including a typemark, logo, colour palette, pattern and social media mockups. The scope for this project also included consumer research, competitor analysis and an ideal customer profile. This research was vital in crafting a brand that spoke to the high-end clientele and stood out amongst competitors.
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For this project, I was commissioned to develop an updated presentation design for their clientele that reflects the Mughal heritage aspects of the prand.
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New Pairideza is an imagined, self-sustaining city inspired by the concept of paradise gardens (Charbaghs) from the Mughal empire. The charbagh of paradise, Pairideza, looks to resolve modern-day climate issues which are becoming increasingly popular in society. In order to design a community and city which enhances the spatial experience of man with nature, the garden utilises concepts used in carpet construction.
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The basis of this thesis explores the characteristics of food spaces through a shared analogy of the terms raw, medium, and well-done. The terms refer to various levels of spaces ranging from local takeaways to fine-dining restaurants and are explored through a first-hand critical investigation. These ‘third places’ (Oldenburg, 2005) offer an environment in which authentic food is eaten, cooked, and shared, but importantly, ones that serve as a cultural anchor for migrants in a diverse city such as London.
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The British High Street is dead. Burslem Basilica is a sustainably-forward architecture that will bring a new meaning to the high street typology. Key spaces such as the Supermarket LARP arena as well as the Garden of Eat’n food court are central to the programme, reviving a sense of community in what is known as ‘Britain’s most depressing High Street’. Created by recycling shopping related objects such as trolleys, baskets and shutters into structural material.
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The mixed-use building features commercial space on the ground floor, followed by vertical domestic spaces with a inside-out approach to services, creating a unique envelope for the building. Developed for the local, immigrant Vietnamese community in Hoxton, this poject explores ways of consolidating living, working and socialising in one space.
See projectIf you would like to talk about your upcoming project, brand or campaign, book a discovery call with me to find out about my process, fees and availability.